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The Nasher Sculpture Center

Dallas / USA

The Nasher Museum, designed by RPBW, creates a harmonious balance between art, architecture, and nature in the heart of Dallas's urban landscape. By transforming a former parking lot into a serene museum-garden, it offers a peaceful retreat amidst the bustling city. The innovative design incorporates sustainable principles, with a dynamic interplay of light and space that enhances both the preservation of art and the cultural experience. This thoughtful integration of nature and architecture elevates the museum as a beacon of urban renewal and cultural engagement.

The Nasher Sculpture Center seen from the garden
© Michel Denancé

A Tranquil Museum-Garden Oasis Amidst Dallas's Urban Landscape

 

The site, located in downtown Dallas’s Arts District, is surrounded by the city’s major cultural institutions. Previously a parking lot bordered by rectilinear roads and set between a skyscraper and an underground freeway, the area was transformed into a serene “museum-garden” to contrast with the surrounding urban landscape. The client requested a quiet, contemplative space amid the bustling skyscrapers, leading to the design of a museum that provides an oasis in the heart of the city.

The 5,000-square-meter building consists of five identical, parallel rectangular pavilions defined by Italian travertine walls. Inside, the stone is polished, while the exterior has been textured with high-pressure water jets to create an aged, weathered look, evoking the feeling of natural erosion over centuries. Large windows form the facades at each pavilion’s end, creating transparent partitions that extend views from the interiors into the garden and toward the roadway, establishing a visual connection between the museum and its surroundings.

 
A man is walking in front of a building with trees in front of it
© Michel Denancé
An aerial view of a park in the middle of a city
© Nasher Sculpture Center, ph. Timothy Hursley
A large building with a lush green lawn in front of it
© Timothy Hursley
A group of people are looking at sculptures in a museum
© Michel Denancé

Layered Spaces for Art Preservation and Interactive Cultural Experiences

 

The museum is constructed on two levels, with the ground floor’s three central arcades dedicated to housing sculptures and paintings most sensitive to environmental conditions. The lateral arcades on this level contain visitor amenities, such as a cafeteria, a shop, and offices. This layout keeps the art well-protected while making the museum experience convenient for visitors.

On the lower level, a smaller gallery exhibits light-sensitive works, including prints and drawings, alongside preservation labs, research and teaching spaces, and an auditorium. This auditorium opens onto a terraced garden, creating an outdoor theater that seamlessly integrates with the museum’s natural surroundings. A mobile facade allows the space to be versatile, supporting both indoor and outdoor performances for a unique cultural experience.

 
the entrance to a museum with a statue in front of it
© Michel Denancé
Gallery section
© RPBW
A close up of a white geometric pattern on a building
© Michel Denancé
View across entrance lobby towards the galleries
© Michel Denancé
Detail of the roof system
© Michel Denancé
 

Layered Spaces for Art Preservation and InteraTimeless Garden Design and Precision Lighting for Seamless Indoor-Outdoor Flow

 
 

The garden, enclosed by travertine walls, creates a sense of timelessness and tranquility. Slightly below street level, the 8,000-square-meter outdoor area features nearly 25 rotating sculptures and a diverse range of plant life, including cedars, oaks, Afghan pines, weeping willows, and bamboo. This natural setting complements the museum's serene atmosphere, offering visitors an immersive experience among art and nature.

The museum roof is designed with five glass vaults interspersed with seven travertine ones, suspended over the pavilions on thin steel beams supported by stainless steel tie rods. An innovative aluminum shielding system above the glass ceiling, with 223,020 patented, die-cast elements, permits only diffused northern light to filter through. This system creates lighting levels of up to 2,000 lux, ideal for sculptures and providing a seamless transition between the interior and the garden. The interplay of light, space, and material allows the indoor galleries to feel like an extension of the sculpture garden.

 
A large building with a lot of windows is lit up at night
© Michel Denancé
A building with stairs leading up to it and trees in front of it
© Nasher Sculpture Center, ph. Hursley Timothy
Nasher Sculpture garden in the heart of Dallas
© Michel Denancé

Project Details

Status

1999 - 2003

Client

The Nasher Foundation

Design

Renzo Piano Building Workshop, architects

Design Team

E.Baglietto (partner in charge), B.Terpeluk with S. Ishida (partner), B.Bauer, L.Pelleriti, S.Scarabicchi (partner), A.Symietz, E.Trezzani and G.Langasco (CAD Operator), Y.Kashiwagi; F.Cappellini, S.Rossi (models)

Consultants

Peter Walker & Partners (landscape architect); Ove Arup & Partners (structure and services); Interloop A/D (consulting architect); Beck Architecture (local consulting architect)

General Contractor

HCBeck