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Beyeler Foundation Museum

Riehen / Switzerland

The Beyeler Foundation museum came into being when arts patron and collector Ernst Beyeler decided to share his extraordinary art collection with the public. It was built in the park of the 18th-century Villa Berower, which houses the museum’s offices and a restaurant. Beyeler wanted the art to be lit entirely by natural light and the museum to be immersed in the surrounding greenery.

A large building with a lot of windows and a pond in front of it
© Christian Richters
 

Architectural Harmony of the Beyeler Museum with Nature and History

 

The building occupies a long and narrow plot of land adorned with centuries-old trees. It is bordered by a road on its eastern edge and by cultivated fields to the west, which stretch across the entire valley. The museum’s design features a precise site plan, consisting of four primary walls of equal length that run north-south along the perimeter. These walls, measuring 127 meters in length and 4.8 meters in height, are constructed from reinforced concrete and clad in red porphyry stone sourced from Patagonia. The stone’s texture and hue evoke the material used for Basel Cathedral, creating a connection to historical architecture.

The cross-section of the structure is more dynamic, with the walls varying in height. The easternmost wall extends into the park, forming a low barrier that guides visitors toward the entrance. The design cleverly integrates the natural slope of the terrain, while the glass roof appears to float above the solid walls, lending the building a light and ethereal quality.

A large building is sitting in the middle of a grassy field
© Michel Denancé
A building with a large pond in front of it
© Michel Denancé
A building with a blue sky reflected in the windows
© Michel Denancé
A row of solar panels on top of a building with a blue sky in the background
© Michel Denancé

Connecting art and nature

 

The inner spaces of the museum are organised by the four traversing walls and, north and south, the galleries end with floor to ceiling windows that are 6.8m wide and 5m high. These vast windows connect the indoors with the outside and help to establish a dialogue between the works of art on display and the surrounding landscape. Along the western side, the intimate rooms of the museum are flanked by a long narrow winter garden encased in glass: a space for contemplation and rest.

 
An aerial view of a large building surrounded by trees
© RPBW
A woman is standing in a museum looking at paintings
© Michel Denancé
A statue of a woman standing next to a window in a museum
© Michel Denancé
A large glass building with a pond in front of it at night
© Christian Richters
 

Illuminating Art: The Innovative Design of the Beyeler Museum's Glass Roof

 
 

Ernst Beyeler’s deep appreciation for natural light inspired the meticulous design of the museum's roof, a true "machine for zenithal light." The glass roof consists of multiple layers that softly filter 50% of direct sunlight, protecting the artworks while creating an inviting ambiance. Supported by a steel structure, the roof includes an overhanging canopy. Its innovative design features slanted, screen-printed tempered glass plates angled over vertical steel box beams, positioned atop insulating laminated safety glass. Beneath this transparent roof, a second layer of glass, located 1.4 meters below, functions as an air chamber to regulate temperature fluctuations and simplify maintenance.

The air chamber houses adjustable slats that control the entry of direct light and artificial lighting systems that supplement illumination during low-light conditions. Below all of this, a velum—a structure made of boxed perforated plates—stretches a layer of white fabric to ensure uniform light dispersion throughout the interior. This sophisticated interplay of natural and artificial lighting enhances the museum's atmosphere while safeguarding the artwork.

 
A group of people are sitting on the grass in front of a building
© Michel Denancé
A building with a lot of windows and a glass roof
© Michel Denancé
The roof of a building with a clear glass canopy
© Michel Denancé
A man and two children are riding bicycles down a path next to a brick wall

Project Details

Status

1991 - 1997

Client

Beyeler Foundation

Design

Renzo Piano Building Workshop, architects in collaboration with Burckhardt + Partner AG, Basel

Preliminary Design

Design Team

B. Plattner, (senior partner in charge), L. Couton (architect in charge) with J. Berger, E. Belik, W. Vassal and A. Schultz, P. Darmer (models)

Consultants

Ove Arup & Partners (structure and services)

Phase One (1993-1997)

Design Team

B. Plattner (partner in charge), L. Couton (architect in charge) with P. Hendier, W. Matthews, R. Self and L. Epprecht; J. P. Allain (models)

Consultants

Ove Arup & Partners, C. Burger + Partner AG (structure); Bogenschütz AG (plumbing); J. Forrer AG (HVAC); Elektrizitäts AG (electrical engineering); J. Wiede, Schönholzer + Stauffer (landscaping)

Phase Two (1999-2000)

Design Team

B. Plattner, E. Volz (partner and associate in charge)

Consultants

C. Burger + Partner AG (structure); Bogenschütz AG (plumbing); J. Forrer AG (HVAC); Elektrizitäts AG (electrical engineering); Schönholzer + Stauffer (landscaping)