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Renovation and Expansion of the Morgan Library

New York / USA

The Morgan Library's expansion project aimed to address the need for additional space while preserving its rich architectural legacy in the heart of Manhattan. The solution was to dig down into the solid rock beneath the site, creating a subterranean vault for the rare book collection and adding nearly 10,000 square meters of space within a tightly constrained urban environment. The expansion includes a new entrance, exhibition areas, a new reading room, public spaces, an auditorium, and essential storage. By seamlessly integrating modern pavilions with the historic McKim, Annex, and Morgan House buildings, the design provides a harmonious blend of functionality and preservation while offering a dynamic space for visitors and events.

A yellow taxi is driving down the street in front of a building
© Michel Denancé
 

A surgical intervention to preserve the historic qualities of the existing buildings while creating new spaces

 

Creating additional space for the Morgan Library in the heart of Manhattan was a particular challenge. This elegant group of buildings, a ‘village of memory’ is surrounded by the dense urban fabric of New York City, a seemingly solid physical barrier around the site. Rather than building upwards, we decided to dig downwards into the hard rock to build a sort of underground vault in which to house the library’s rare book collection. With surgical precision, new steel and glass units were inserted in and amongst the existing buildings.

The Morgan Library required new public spaces, safe and organized storage areas for the collection itself, an auditorium for chamber music, and a new reading room, all whilst preserving the Library’s original classified buildings: the McKim’s building (1906), the Annex (1928), and the brownstone Morgan House at 231 Madison Avenue, former home of the Morgan family. The requested total expansion of nearly 10,000 sq m within the tight confines of the site was achieved by taking the site back to its original three buildings and recovering additional space underground, excavating to a depth of 17m.

A black and white drawing of a building with people walking through it
© RPBW
A black and white drawing of a building with a lot of people walking around it
© RPBW
A person is playing with a model of a building
© RPBW, ph. Stefano Goldberg / PUBLIFOTO Genova
A construction site with a lot of scaffolding and buildings in the background
© RPBW, ph. Richard Cadan
A group of people are standing outside of a building at night
© Michel Denancé
 

The atrium as flexible and connective space

 
 

RPBW designed three new pavilions connected to the historic buildings, leaving a large open ‘plaza’ at the centre of the Morgan complex that could be used for public functions and as a metaphorical breathing space for visitors. The three historic buildings, the plaza and the new pavilions meet under a steel and glass transparent roof.

This atrium is the connective tissue that ties the three distinctive buildings together and provides a multifunctional space for circulation and events which has vastly improved the institution’s capacity and operations.

 
A group of people standing in a large building with a glass ceiling
© Michel Denancé
Looking up at the ceiling of a building with a lot of windows
© Michel Denancé
A group of people playing instruments in front of a large window
© Michel Denancé
The inside of a building with lots of windows and trees
© Michel Denancé

 

The largest pavilion, located on Madison Avenue between Morgan House and the Annex, provides a new entrance at ground level, an exhibition area on the first floor and the new Reading room on the second floor. The smaller cube-shaped pavilion, located on the 36th Street between the Annex and the McKim building, is an exhibition space. This pavilion and the new Reading room are naturally lit from above. The third pavilion, adjacent to the Morgan House, contains office space and a number of service areas. All of the exhibition buildings are clad in steel panels.

Below ground is the Gilder Lehrman Hall, an auditorium with a capacity of 299. While its acoustics have been designed for chamber music concerts, the auditorium can also be used as a conference or projection room thanks to the acoustic modularity of the room. New temperature and humidity-controlled storage for the Library collection is laid out over three communicating floors.

 
A long hallway filled with shelves filled with books and boxes
© Michel Denancé
A large auditorium with a piano on the stage and red seats
© Michel Denancé
A large library filled with lots of books and tables and chairs
© Michel Denancé
A row of shelves filled with paintings in a museum
© Michel Denancé
A floor plan of a building with a lot of trees in the background
© RPBW

Project Details

Status

2000 - 2006

Client

The Morgan Library

Design

Renzo Piano Building Workshop in collaboration with Beyer Blinder Belle LLP (New York), architects

Design Team

G.Bianchi (partner in charge), K.Doerr, T.Sahlmann with A.Knapp, Y.Pages, M.Reale and P.Bruzzone, M.Cook, S.Abe, M.Aloisini, L.Bouwman, J.Hart, H.Kybicova, M.Leon; Y.Kyrkos, C.Colson, O.Aubert (models)

Consultants

Robert Silman Associates (structure); Cosentini Associates (services); Ove Arup & Partners (thermal performance and lighting); Front (façade consultant); Kahle Acoustics (acoustics); Harvey Marshall Associates (A/V consultant); IROS (elevator design); HM White (landscape); Stuart-Lynn Company (cost consultant)

Awards

New York Construction News – Best of 2005: Cultural Project of the Year
Lucy G. Moses Preservation Project Award (2006)
AIA - New York City Chapter, Design Awards, Top Honor (2006)
Wallpaper Design Award for the Best New Public Building (2007)
Gold Award for Engineering Excellence, ACEC (American Council of Engineering Companies of New York) (2007)
Society of American Registered Architects/New York Council’s (SARA/NY) Project of the Year Award (2007)